Matter

Marinel Ştefănescu - Interview, 2000

Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited

The Balletto Classico Company In Bucharest

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

A Continent Dreamt By An Island

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

Irinel Liciu - A Great Sensitivity And Its Fragility

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

Interview With Magdalena Popa

Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then

Anton Romanowsky

Romanowsky was active in our country after the First World War, with several interruptions. These interruptions were caused by a series of frictions with some of the managers at the Romanian Opera House. Then, between the two world wars, the social context (the economical

Interview With Ioan Tugearu About Floria Capsali

You were one of Mrs. Capsali's students and on one occasion you confessed that you could talk about her excellence for days and days. This subject captivates me, it excites me, and at the same time it moves me because it's been 50 years since I met Floria Capsali.

Vivat Profesores! - Through The Looking Glass Of Time

There are chances in life. I have made mention of it before and will not hesitate to repeat it. To some of them we turn a blind eye; for others we may knowingly not have the just power of judgment and pondering. Or, that of turning something to good account. Floria Capsali

Facing Their Faces

Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because

The Dialectics Of National Self-Criticism

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions

Jungle: The Daily Dose Of Excess

excerpts Unfortunately, in this country we talk, but do not communicate, in the sense of a science of communication. This is particularly obvious in the public area, where people do not express thanks, do not salute, and address each other on familiar terms without justification.

From The Country Of Jackasses

III. The Culture of Jackasses When an ass leaves his village to go live in the city a wonderful change occurs in him: his asininity leaves the body and sets straight into the soul. In donkey parlance this means the respective jackass becomes cultivated. Thus, an educated