The Secondary Takes Precedence
I am fascinated by the theory of professor Nemoianu on the long-term influence of the literary text (secondary) on political representations and ideas (principal) in the history of the Western world, as well as by a recent study on the ethos of education as the substance
Interview With Karine Saporta - 28 January 1992
Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.
Christine Bastin - Interview, 1991
A complex cultural program begins this month in Bucharest: La danse en voyage, organized by France for Romania. Six contemporary dance companies from France will come monthly to Bucharest, Iaşi, Timişoara, Cluj and Constanţa. Mrs. Christine Bastin, you are the first choreographer
Quote
Dance is the poetry of movement, the supreme poem of life because, more so than music, is Its direct manifestation… which does not speak, does not meditate, but only lives. by Hortensia Papadat-Bengescu (1876-1955)
Marinel Ştefănescu - Interview, 2000
Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited
Adina Cezar - Interview, October 2002
Presently, Adina Cezar is a name in the field of choreography, by having created for three decades a sound nucleus of Romanian contemporary dance. Dancer, choreographer and artistic manager, Adina Cezar is a genuine, tenacious and dynamic searcher. Every moment she reorders
George Iancu - Interview
The stars of ballet travel almost ceaselessly: Paris today, Rome or Buenos Aires tomorrow, then prepare for a new destination. Gheorghe Iancu, dancer of Romanian origin, settled in Milan 24 years ago, is one of these Guest Stars. His body's sculptural perfection, his
Daphnis And Chloe
The new season of the National Opera opened this autumn with a ballet made up of four choreographic pieces united under the title of the most elaborate one, Daphnis and Chloe, a production staged by Gelu Barbu, a Romanian choreographer from the Diaspora. Gelu Barbu belongs
A Continent Dreamt By An Island
A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks
Irinel Liciu - A Great Sensitivity And Its Fragility
I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to
Interview With Magdalena Popa
Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then
Boris Kneazev
I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t