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In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

What impresses from the beginning at Simona Şomăcescu, is an extraordinary self-devotion through dancing, which lights up from within, like a flame, the character's personality. A vast and generous movement, a movement that fills the stage and seems to transform the

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

None of the totalitarian regimes of this century had any particular liking for the modern art trends and made them eventually disappear from the area controlled by them. Too free a manifestation of one's personality meant escaping their power. In Nazi Germany just as

The forms of modern dance, present but not officially supported before 1990, appeared and survived due to the love for them of several choreographers and dancers who used to have the occasional show on various theatre stages. Their importance has been growing since the above

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

I have often wondered why dance should necessarily be accompanied by music. The lines of a poem have their own sounds, rhythm and balance. Poetry is not made of such stuff as ideas, dreams or feelings, but of words, and their worldly counterpart, the sounds. Even the prose

I suggest a discussion about superlatives. You have had a superlative career – as a matter of fact, two careers that at first intertwined, and then continued separately. Chronologically, who were your best teachers? My maestros were Anton Romanowski, Oleg Danovski, Gelu

I know you don't like to talk about yourself and your successes. You were telling me some time ago about a certain maturation of verbal expression that, with dancers, develops in time in parallel with motile expression.  I noticed that we, dancers, do a lot of things

I am fascinated by the theory of professor Nemoianu on the long-term influence of the literary text (secondary) on political representations and ideas (principal) in the history of the Western world, as well as by a recent study on the ethos of education as the substance

Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.

A complex cultural program begins this month in Bucharest: La danse en voyage, organized by France for Romania. Six contemporary dance companies from France will come monthly to Bucharest, Iaşi, Timişoara, Cluj and Constanţa. Mrs. Christine Bastin, you are the first choreographer