Live

 Bucharest Again It is hard to explain the emergence of a language and the birth of a nation – they seem to be part of a mystery. All of a sudden, history records, in some part of the world, an unknown nation and a new language, probably derived and related, but new.

in Hungarian, Papirusz Book, Budapest, 1999 Budapest literary historian Martos Gabor (b. 1953), an expert in the Magyar literature written in Romania between 1970-1990, well-known in the Transylvanian cultural milieu, held a regular column in the Bucharest Hungarian cultural

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you

A French historian said once that the work you would best like to dedicate your time to is the one that seems to compel you to do so. This is what happens to me right now. Urged by a real passion for knowing the events and forerunners that once lived in this place, I have

The author of the brilliant Ouvert la nuit series seems to be in a state of conflict with some Bucharest dwellers. Out of incontestable affection for our Capital, he tried to picture it as a city portrait for the Western world, and he managed to make enemies out of the very

excerpts From Winter to Summer Two seasons, rather than four, by all means. Late fall, with powerful stags calling. After the horse races in Moldavia and the first fires in the remotest houses of Bukovina, winter comes. The only flowers left are those in the carpet wool

What is one supposed to understand by image and to what extent should one take it to heart? Physiologically, the image is the consciousness one is left with about an absent object. It is, therefore, the opposite of perception, i. e. representation of a present object. In

Recently Echinox published the translation of Paul Morand's Bucharest (1935), a book that must be put in line with Ulysse de Marsillac's From Pest to Bucharest (1869), F. Damé's Bucharest in 1906, and Dominique Fernandez' Romanian Rhapsody (1998), in

excerpts Chapter III: BUCHAREST-WALLACHIA (…) My advice to the fatigued traveler who arrives in Bucharest is to pay his first visit to the excellent Turkish baths which we were to try ourselves soon. These establishments, mostly situated in the quarter by the Dâmboviţa

excerpts In the first half of the XVIIth century, there appeared a new combination of imported styles which has been characterized as the first Wallachian manifestation. The prototype of this style is the village church of Gherghiţa in Prahova county. A later example of

The Cries of BucharestCities have their own special humming. Church bells, tram noises, horses, sergeants' whistles, car horns (banned in Bucharest), dogs barking, army trumpets, and so on, and so on – all combined, heard from a distance, forming a characteristic

There existed in cultural Bucharest between the world wars a sort of upside-down provincialism that believed only in the City of Light: What's new in Paris? There was always something new to talk about, even if, in some cases, the new from Paris had been seen around