Lied

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited

The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed

When Mark Twain published the elaborate account of his Old World tour, The Innocents Abroad, America was still young, as a nation, and not yet proud of its culture. To avoid any tasteless outcry of admiration, driven by the contact with the vestiges of lost civilizations

excerpts Chapter IIIThe Nature of the Being  (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not

In D. Draghicescu's terms, this transactional spirit (Cough up more, sir! – Knock some off, mister!, as a folk saying goes) is the legacy of the Orient, a stamp of the Levant on our past, present and, presumably, future. In this key, the transaction points to a polymorphous

Chapter IIROMANIANISM AND AUTOCHTHONISMexcerpts Continuing the clash of ideas of the previous decades, the 1930s too witnessed a confrontation on the evolution formula of the Romanian make-up. Two directions were pitted against each other. One favorable to the maintenance

Schwerin Founded by Heinrich der Lowe in 1160, the city today is worthy of its eight-century tradition. It abounds in vestiges – proudly and understandingly nurtured – of a history that is comprehensive in what regards the cultivation of music, too. The notes that I

– Don Quijote, a symphonic scherzo– Sinfonia Concertante, op. 14, for violin and orchestra– Adagio, for orchestra– Symphonic Variations on My Own Theme– Three Studies for Orchestra– Ein Heiteres Quartett, op 10*– Sonata, op. 12, for piano– Lied ohne Worte,

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

As early as my years of instruction, while at The Academy of Music in Bucharest – as part of the group of the grand and incomparable professional singer and mentor Constantin Stroescu (Enrico Caruso's partner in Boston, 1915, in Leoncavallo's Pagliacci) – destiny

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any