Iona

Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor

It is no secret to anyone that in Romania every person who has a good voice and musical talent has sung at least once, in his or her youth, in a choir. People say about Banat, the western region on the boundary with Hungary and Yugoslavia that it is the land of choirs, because

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

Showing the electors' arrival in Frankfurt due to the crowning of Joseph II as King of Rome, Goethe mentions the fact that among the most obedient and distinguished personalities some had ridden to Frankfurt according to the old traditional custom, while others had

With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,

I can almost hear Gellu Naum saying: I fell on the pavement on account of the old tree roots which have heaved it. There was a smell of putrid leaves. And of putrid earth. I could not lift myself up. From somewhere, came a cur of a dog. 'You want grass,' I asked.

André Breton wrote: 'The hereafter, the entire hereafter is in this life. ' So did Gellu Naum, the Romanian surrealist poet born in 1915. Zenobia, which he considers his main work, is one of the most beautiful texts of the surrealist International. Populated with

Those writers obsessed by the form, which they do not hesitate to convert into a norm, are too well familiar with the pain that accompanies the process of completing a page in a duly controlled, stylish, manner. Ultimately, one writes on waters, since all messages are, from

excerptsFondane's interest in the psychological mechanisms of illusion did not come from a strictly neutral or intellectual curiosity. Deeper resources of his personality contributed, and his poetry is testimony to that. As a general rule, only the disillusioned are

excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:

excerptsFondane's departure was the result of a personal choice, decision made in absolute freedom, without any pressure from the outside. And, because he was Jewish, we must add that his departure was not triggered by an anti-Semitic gesture against him or by any anti-Semitic

Real name: Benjamin WexlerBorn in Iasi, 1898. Boarding school in Iasi. Debut at 16 in O. Densusianu's The New Life magazine (1914). He reads some of his poems to Ion Minulescu during the refuge (Iasi). He establishes the Island avant-garde theatre (with Armand Pascal).