Letters
Enescu:Dear Georgescu,This is what I got from professor Hajak (Targu Mures). He plays well and it would be a good policy to have him play one of the concertos he proposed with the Philharmonic. I did not mean to bother you with this matter, but he insists, as you can see.
George Georgescu's Image In My Mind And Soul
Director of the George Enescu Philharmonic in Bucharest At a certain point, the evolution of Romanian culture goes through a moment when, owing to strong personalities, the distance separating it from the level attained by the universal culture is suddenly annulled, and
Echoes
On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any
The Lord Of Romanian Conducting
After almost a century of symphonic music in Romania (as early as in 1846-1848, the first symphonic concerts changed the artistic life of Bucharest), after three quarters of a century since the establishment of the first philharmonic in Bucharest (1868), a magician appeared
The Last Saint Of Music
Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor
The Romanian School Of Conductors
It is no secret to anyone that in Romania every person who has a good voice and musical talent has sung at least once, in his or her youth, in a choir. People say about Banat, the western region on the boundary with Hungary and Yugoslavia that it is the land of choirs, because
Europe Has The Shape Of My Brain
*More than a century ago Europe was not yet known as a cultural construction, an intellectual day-dream, a heap of broken images, a copy in a world without originals. Artists tried to escape the big fortress ensconced in coal smog and torn by wars, social conflicts, and
Romanian Mythology In Dance
Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real
Dimitrie Cuclin
COMPOSER, MUSICOLOGIST, WRITER, FOLKLORIST, INSTRUMENTALIST, ESTHETICIAN, PROFESSOR, BYZANTINOLOGIST, PHILOSOPHER Born in Galatzi (24 March 1885), he began his musical studies with his father, the composer and professor Constantin Cuclin, continued at the Bucharest Conservatoire
A Legendary Love Story: Maria Cantacuzino - George Enescu
One should add to the romantic universe of Berlioz, Chopin, Liszt and Wagner the love story of Maria Cantacuzino and the composer George Enescu, as the mystery of its extraordinary tension has been revealed in the recently published Ombres et lumières, Souvenirs d'une
The Violin Player Ion Voicu
It is hard to say when the Gypsies came to Romania for the first time, and then settled for good, but the oldest documents date from the Middle Ages and the Renaissance, when the royal charters mentioned the fiddler slaves, sold alongside the dependencies and objects from
An Armenian Who Changed The Destiny Of The Opera Oedipe: David Ohanesian
Through the centuries, the spiritual connection between Armenians and Romanians has been very close as far as the Romanian musical culture is concerned. It's enough to remember Carol Mikuli, Mihail Jora, Matei Socor, Emanoil Ciomac, Sergiu Malagamba, Nicolae Buicliu,