For

Lucrarea cuprinde trei micromonografii dedicate personalităţii lui Eugeniu Carada, publicate în perioada interbelică: 1. M. THEODORIAN-CARADA, Eugeniu Carada (1836-1910), Tipografia Gutenberg, Bucureşti, 1922 2. MIHAIL GR. ROMAŞCANU, Eugeniu Carada (1836-1910),

Consultant istoric: Andrei Pippidi Concepţie grafică: Gianini Georgescu Traducere în limba engleză: Anca Brătuleanu, Magda Teodorescu. Review: Jeremy Howard. (. . . ) portretele au fost descoperite pe parcursul unor cercetări începute din dorinţa de a elucida

INSTITUTUL CULTURAL ROMÂN Sediul principal şi adresa de corespondenţă: Aleea Alexandru nr. 38, sector 1, 011824, Bucuresti, România Sediul secundar: Str. Biserica Amzei nr. 21-23, Bucureşti, RomâniaCompartimentul SecretariatTel. : (+4) 031 71 00 606 E-mail: icr@icr.

REGULAMENT GENERAL  privind acordarea burselor pentru cercetare şi documentare, cât şi asigurarea altor forme de sprijin material (rezidenţe)  CAPITOLUL I DISPOZIŢII GENERALEArt. 1 (1) Bursele pentru cercetare şi documentare şi alte forme de sprijin material (rezidenţe)

INTERSECŢII. Înainte de sărbătorile de iarnă - OBSERVATOR CULTURAL Autor Michael FINKENTHAL Nr. 556-557, 23 decembrie 2010 Sînt în Haifa şi profit de ocazie pentru a da o fugă pînă la Ein Hod, satul pictorilor întemeiat după 1948 de Marcel Iancu, pentru a

Volum editat sub Înaltul Patronaj al Preşedintelui României, cu sprijinul Patriarhiei Române, Bibliotecii Academiei Române, Muzeului Naţional de Artă al României, Muzeului Naţional de Istorie a României „Legitimată teologic şi elaborată de-a lungul secolelor

My insects have devoured all the peopleAnd on the deserted streets of the city They are parading the spiders and the locusts Are the most constantine They've got perfect serums in wiresAnd are pricking the statue of the magical brother In their hands they carry the

I had entered the forest With other forests on my shoulders My knees were shiningAnd maybe their love was everything Then I told the birds You birdsLet us play phoenixes for whomIn our grey cutaways Above us the sun shook its maneThen night fell in my mouth Translated

In August when the sky fills with bullsAn eagle comes down in the neighborhood And lets me know from the first phone call that he's coming to see me An admirable pyromaniac haunted by firesAnd black serenity covering his feathersHe comes upset by the foreboding of

Animals have well-defined pigeonholes assigned by the traditional Romanian mindset. From wee to huge, all creatures are cast in distinct roles that any inhabitant of temperate geographical areas will recognize: hardworking as an ant (or bee), stupid as a goose, haughty as

see image A widely-spread carnivorous mammal, the fox has been drawn to the attention of the people ever since early Antiquity, remaining throughout the ages the most steadfast symbol of slyness, cunningness, cruelty and cynicism. Totemic animals from one region in the

See Gallery One would wonder why the ox is so preferred by most of the Romanian landscape painters at the turn of the century. One reason is a name, Barbizon. Both Nicolae Grigorescu and Ion Andreescu, the leaders of the generation, were configuring their artistic project