European

NR. 64 - iarna 2007-2008

SUMAR NR. 64 Pagini autobiografice Péter Esterházy – Harmonia cælestis Ion Vianu – Supunere, împotrivire, exil Dincolo de eveniment Jacques Rupnik – Populismul în Europa Centrală şi de Est Jacek Kochanowicz – Virajul la Dreapta Cultura – cardiograme

Cristina Chevereşan - Wounds and Deceptions. Decadent and Modernist sensitives on the edge, 2006, 328 p.

Fin-de-siecle offers inestimable keys for the understanding of the emergence of a literary age that has never lost its defining profile. Coming from the outposts of Third Millennium post-modernism, Wounded Identities looks at mysteries that a century ago led towards the

Joachim Wittstock - Dumbrava morilor (schiţe şi nuvele), 2007, 136 p.

Selecţia textelor, traducere şi postfaţă de Nora Iuga. Autor de expresie germană din Sibiu, Joachim Wittstock se distinge prin fineţe, rigoare şi măiestrie în elaborarea unor texte în care, pe fondul unei sensibilităţi accentuate, trecut şi prezent, real

Angelo Mitchievici - Mateiu I: Caragiale. Fizionomii decadente, 2007, 280 p.

Studiile reunite în prezentul volum evidenţiază încă o dată profunzimea unicului roman al lui Mateiu I. Caragiale - Craii de Curtea Veche - , cel mai enigmatic roman al literaturii române, a cărui elaborare s-a întins pe aproape 10 ani. Pornind de la întrebarea

Virgil Nemoianu - Străin prin Europa - Note de călătorie 1983-1992, 2006, 232 p.

Notele de jurnal ale scriitorului european de origine, american prin opţiune Virgil Nemoianu, reputat profesor universitar pe plan internaţional, membru al Academiei Europene de Artă şi Ştiinţe, invită cititorul la o călătorie imaginară prin Europa, oferindu-i

DESPRE REVISTĂ

Revista care poartă azi numele de Euresis a fost fondată în anul 1973 cu titlul Cahiers Roumains d'Études Littèraires (C. R. E. L. ) şi a apărut sub egida şi în regia editurii Univers condusă atunci de Romul Munteanu. Direcţia propriu-zisă a revistei i-a

Friends with Children

Geology Museum, Kiseleff Park, Cismigiu Gardens. Since the park is always a handy alternative, but the least spectacular one, we suggest a visit to the Antipa museum, an eternal museum. We know that you notice at once those details that spoil all the charm, such as the

Night Lights Light Nights Of Bucharest

Sometimes glowing colorfully in the dusk air, as doors of museums open up for late visitors, or, some other times, its dark sky flushed by lasers for white nights of entertainment, Bucharest often begins to live and breathe anew after sundown.  White NightsNow that the

Smells Of Bucharest

from left: rundown houses on Lipscani and Mosilor, Dimbovitza river from Hasdeu bridge, street in Cotroceni Bucharest smells exquisitely during the time of lindens and rain. Vigorously soaked for a half hour, the city heals even from the stenches that make you ill. Under

Bucharest Seen From Abroad

Like most people living and working in Bucharest, I've often wondered what it would be like to live in any other European city, to actually be surrounded by civilized human beings and not to collect a ton of dust on your shoes and clothes after a day's trip to

A Puzzled City

Bucharest is a city that is difficult to describe, and difficult is a term that tends to suggest the word impossible. Many of us have probably at least once in our lifetime been in the situation of talking about the city that we live in. And, just as probable, among the

The Circle Without A Center

from left: Antiques store on Covaci St. ; National Bank on Lipscani St. ; Victoria department store; Dimbovitza river. The navel of the city: one couldn’t find a better name. There was once an umbilical cord. Through it, Bucur’s shepherds village used to receive, no