European

click here for Brukenthal Museum An emblem of Sibiu, the Brukenthal Museum is one of the most important abodes of culture that has garnered national and European repute. Since its official opening on February 25, 1803, it laid an indelible mark on the cultural life of the

Minimal Joys  To fully take delight in minimal joys – here is one of the irreducible experiences of joy in the East of Europe before 1989. The minimal joys mustn't be confounded with the simple joys. It is one thing to enjoy a piece of hot bread and a glass of wine

In the olden times, in the Year of Our Lord 1937, as soon as the vernal wind had started wafting, I would cross the Danube with a handful of companions, to hail the passage of woodcocks in some of the parts of the Dobrudja. We reposed in propitious places, groves and copses,

The dancing tea partyGuţă Mereuţă was indeed waiting, sad, with a proboscidean long nose. He couldn't dance. He had nothing in appearance or in speech that could have attracted a woman. His eyes pushed aside, towards the temples, by the broad root of the olfactory

I once saw a wounded crane, dying, on the edge of a forest where he had fallen while his friends were dashing away to the horizon, like a black arrow. The bright eye that ripped the horizon was shaded little by little, his long, powerful legs were sinking into the dust,

excerpts Chapter XV. Scenes of Social Life The beautiful autumn days of the year 1817 had already flitted along with the joys they bring to pass for the inhabitants of Romania. Winter had made quite an early appearance and the western wind had by now started to blow in

excerpt Nothing, says Mr. N. , in an witty critique of Iaşi society, nothing is more boring than Iaşi for a foreign traveler whose name does not include the rewarding of particle, and whose only concern is to do business and not entertain the little civilized inhabitants

For well over one year, since I and the retiring actor Stelian Nistor marketed our tee-vees to see the magazine Everybody's Cuisine through the press, our peers, notably those at The Catzavencu Academy, never fail to cheek me: You meatball-journalist, recipe commentator,

excerpt Olgutza and Monica had forgotten the size and duration of a Romanian banquet. Compared with French meals, the Romanian ones are like a trip in a carriage versus a precise urban taxi ride. When you have finally reached the last course – incidentally, in Romania,

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the