Encounters

A few years elapsed from our last interview – enough for a change of viewpoint in retrospect. What do you think was more important in your career: school, college or practicing at the theatre? I'm asking this considering the common perception according to which most

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t

Romanowsky was active in our country after the First World War, with several interruptions. These interruptions were caused by a series of frictions with some of the managers at the Romanian Opera House. Then, between the two world wars, the social context (the economical

excerpts Chapter IIIThe Nature of the Being  (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not

Chapter XII. The Current [1907] Psychological Traits of the Romanian PeopleAll foreigners that visited the Romanian countries were unpleasantly struck by the negative traits of our character. They don't care, says Mr. X. Marmier, for the name of their master. What they

Dear friends,The cultural portal LiterNet () is glad to let you know of the release of a new e-book published by LiterNet: 49. Pentru Gellu Naum / For Gellu Naum (volume coordinated by Iulian Tănase, bilingual edition) From rhymes and games, events and silences a book

1. You open one door and there appears another, then another, and another, up to the last one – which does not even exist – and thus you find yourself at the first door – which does not even exist – and you make a round, once more, unto familiar places, as what you

C. H. R. – I was telling myself: how can a man like Mircea Eliade experience the diversity of idioms, cultures, fatherlands, abodes, countries? I begin to understand this now and yet would like to ask you how fatherland and the world interrelate in your inner self?M. E.

Most of the characters of Romanian fiction are outcasts and misfits and they duly suffer from it. This is not surprising, given the high speed of change experienced in the past two hundred years of Romanian history. When circumstances alter in such a rapid way, the individual

excerpt I paused a little in order to recall better the dark areas of my teenage years. I don't know why it is only about them that I feel like writing. But do I only have to write about them? Maybe the journal that I'm struggling every second not to finish the

One should add to the romantic universe of Berlioz, Chopin, Liszt and Wagner the love story of Maria Cantacuzino and the composer George Enescu, as the mystery of its extraordinary tension has been revealed in the recently published Ombres et lumières, Souvenirs d'une