Efa

by Ştefan Tuchilă

Curator: Marilena Oprescu, Artmix Cultural Association Photo: Mircea Maieru In the early 1990s, everyone thought that we could get rid of the People's House. But some proposals, like to demolish it partially or completely, to bury it under a hill, etc. , seemed utopian

Statuary art gallery in open airIn Bucharest, there are lots of boulevards, streets, buildings that have become so familiar to us that we almost no longer see their beauty, originality, uniqueness. . . It is like being in the middle of an enchanting park that you admire,

Press ReleaseSeptember 16, 2008 The Artmix Cultural Association (www. artmix. ro) announces the launch of the second Festival of Urban Art Architectural Projections, which will be held in the night of September 20, 2008 as of 10 PM in Constitution Square and University

The inhabitants of Bucharest came out of their homes in great numbers last weekend to celebrate their city, on the anniversary of 549 years since its first being mentioned in a document. Over one hundred events, taking place in 30 locations, brought entertainment for every

In history, the diurnal has always been a distorted image of the nocturnal. In daylight, events are the way we want to see, feel, and understand them. The nocturnal rejects such a compromise for the tranquility of crowds. It has existed next to us since the dawn of history,

Bucharest is a city that is difficult to describe, and difficult is a term that tends to suggest the word impossible. Many of us have probably at least once in our lifetime been in the situation of talking about the city that we live in. And, just as probable, among the

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

a fragment from The Blind, Chapter Two of Corpuri de iluminat/ Dark Bodies Through Sfântul Ştefan, beyond the old Height and over the tramline in Bărăţiei, a phanariot and decayed Bucharest drained under the snow; a balcony fallen onto its side reminds you that once,

Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the

Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with