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I count myself to the category of performers who do not deem themselves as conductor-addicted, nevertheless, it is hard for me to clarify the feeling I sense when I assert this. Maybe, it is a matter of tribute to the Lord, to Whose unique credit destiny willed that I master

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

I think the idea of a head of the orchestra arose two and a half centuries ago, as a result of the activity of the Mannheimer Circle, who had invented acoustic dynamics: the game of intensity, as a component of the agogic, a quite unproductive term for most of the music

– Don Quijote, a symphonic scherzo– Sinfonia Concertante, op. 14, for violin and orchestra– Adagio, for orchestra– Symphonic Variations on My Own Theme– Three Studies for Orchestra– Ein Heiteres Quartett, op 10*– Sonata, op. 12, for piano– Lied ohne Worte,

A few days back, a shattering piece of news darkened our souls and filled our eyes with tears: the heart of the great Romanian musician Ionel Perlea has stopped. Unable to contain this terrible pain, our memory revisited in one instant the unique days he gave us in that

Mihaela Marinescu: Did you know maestro Ionel Perlea before visiting him in New York in 1967?Theodor Grigoriu: No, I didn't, he had left the country a long time before. He was a legend to my generation, like Enescu, like Lipatti. Before my trip to the United States

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

As early as my years of instruction, while at The Academy of Music in Bucharest – as part of the group of the grand and incomparable professional singer and mentor Constantin Stroescu (Enrico Caruso's partner in Boston, 1915, in Leoncavallo's Pagliacci) – destiny

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

Of all the great 20th century conductors, Egizio Massini was the only one who distinguished himself equally in three different fields (opera, symphonic music, and fanfare). Even if he made tours abroad conducting all threes types of music, opera was the genre that distinguished

– Gaetano Donizetti: Lucrezia Borgia (integral opera); orchestra of the Rome Opera. Soloists: Montserrat Caballe, Alfredo Krauss, Shirley Verett, Enzo Flagelli. – Giuseppe Verdi: Rigoletto (integral opera)Soloists: Peters, Merril, Bjoerling, Tozzi.  Recording with the

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any