Dor

Presently, Adina Cezar is a name in the field of choreography, by having created for three decades a sound nucleus of Romanian contemporary dance. Dancer, choreographer and artistic manager, Adina Cezar is a genuine, tenacious and dynamic searcher. Every moment she reorders

I first saw Cristina Hamel when I was a petit rat and I would sneak a look at the soloists during rehearsals, crouching behind a pillar. I remember her rehearsing unrelentingly a diagonal of pirouettes that wouldn't turn out well, in Act II of Swan Lake. I was admiring

The new season of the National Opera opened this autumn with a ballet made up of four choreographic pieces united under the title of the most elaborate one, Daphnis and Chloe, a production staged by Gelu Barbu, a Romanian choreographer from the Diaspora. Gelu Barbu belongs

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

I dedicate these lines to the one we, her friends and colleagues, as well as fans, used to call – and still do – Lully. That is, Ileana Iliescu. She belongs to that pleiad of prima ballerinas who built the fame of Romanian ballet, shining from the beginning of the 1960s:

Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t

There are chances in life. I have made mention of it before and will not hesitate to repeat it. To some of them we turn a blind eye; for others we may knowingly not have the just power of judgment and pondering. Or, that of turning something to good account. Floria Capsali

In the summer of 1982, as I was saying an emotional good-bye at Floria Capsali's deathbed, the whole mournful world felt we were witnessing the end of a living legend of Romanian dancing. Indeed, for over half a century (she was born in 1900 in the town of Bitolia,

1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of

The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed

*excerpts THE SOPHISTICATED PEASANTS The Romanians are a social phenomenon. As a nation among nations, they are westerners evolved in the East. They are Latins surrounded by Slavs. They are Romans two thousand years away from Rome. They are contemporaries re-produced on