Doina

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

The triplet Marie Duplessis (the real-life model), Marguerite Gautier (the literary character), and Violeta Valery (the opera character) has always inspired creators in all arts, including dancing. Internationally, we mention, among others, the famous ballet shows by Antony

With each new performance, the director-choreographer Răzvan Mazilu shapes even better his personality and his special type of performance, unique at this moment in our theatrical environment. With each new show, the director-choreographer Răzvan Mazilu adds something

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

A superstar of Romanian ballet in its golden era, when the light coming from the East would fashion great interpreters, Gabriel Popescu began the study of dance with the maestra Floria Capsali. He was hired by the Bucharest Opera in 1948, when he was 16, and in 1949 he was

Maiden Speech at the Romanian Academy, Bucharest, 1940excerpts Gentlemen of the Academy,Honorable Audience, I am elected to a newly-established institution, and I wish to preserve the academic tradition of lauding a forerunner, therefore I feel obliged to come forward with

It has been justly stated by foreign researchers that the melancholy of the Romanian folk doina, transposed by the brilliant George Enescu into learned creation, in the characteristic and unmistakable lyricism of the people at the curvature of the Carpathians and the mouth

excerpts Chapter IIISolitude Generally, the Romanian folk poetry shows a tendency toward an ideal and transparent world, which is full of serenity. The frequency of the optimistic motifs proves to what extent it would be good to know this surface only, but an inner disquiet

excerpts We have wondered many times if it is possible to find or to hypothetically build a matrix-space, or an unconscious spatial horizon, as an underlying spiritual layer for the Romanian folk culture anonymous creations. The subject is worth the risk of any and all

Chapter X. The Influence of Physical Factors. The Climate and the Geographical Position The crystalline atmosphere that envelops the Carpathian Mountains and the hills of Oltenia and Moldavia resembles perfectly the atmosphere from the mountains and hills of Florence. Wallachia's

excerpt In 1846, M. Kogalniceanu travels to France and Spain (Notes sur l'Espagne). The recollection of Moldavia lingers with him at the opposite end of the continent. I have studied Spain a great deal, he writes to I. Ghica, a very curious country whose language,