Cultură

Press ReleaseSeptember 16, 2008 The Artmix Cultural Association (www. artmix. ro) announces the launch of the second Festival of Urban Art Architectural Projections, which will be held in the night of September 20, 2008 as of 10 PM in Constitution Square and University

The inhabitants of Bucharest came out of their homes in great numbers last weekend to celebrate their city, on the anniversary of 549 years since its first being mentioned in a document. Over one hundred events, taking place in 30 locations, brought entertainment for every

Sometimes glowing colorfully in the dusk air, as doors of museums open up for late visitors, or, some other times, its dark sky flushed by lasers for white nights of entertainment, Bucharest often begins to live and breathe anew after sundown.  White NightsNow that the

Photos by Dan Hayon excerpts My first adventure in the capital city, sometime in my early adolescence. Confusion and ecstasy, fear and the excitement of the unknown, as though in a foreign country where, strangely, everyone speaks my own language. A dizzying cocktail of

In those days they used to go to the Eastern Station, visiting some acquaintances: friends, as they might, after all, also have called them. Except that on this point, at least, Olga was right: they were not their friends; indeed, there was no way or time when they could

In history, the diurnal has always been a distorted image of the nocturnal. In daylight, events are the way we want to see, feel, and understand them. The nocturnal rejects such a compromise for the tranquility of crowds. It has existed next to us since the dawn of history,

Photo: Mihai Duţescu I'm reading an article written by Roberto Segre about the architecture intended for the working class, an architecture that has changed the landscape of the towns only in the twentieth century. Until then, poverty did not have such a great influence

I used to play this game when I was a child, I played it so often that, from one day to the next, I always remembered to keep some leaves of grass, small leaves or even an entire plant, root and all, in my pockets, socks or sleeves. Little children played it too, later on.

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

a fragment from The Blind, Chapter Two of Corpuri de iluminat/ Dark Bodies Through Sfântul Ştefan, beyond the old Height and over the tramline in Bărăţiei, a phanariot and decayed Bucharest drained under the snow; a balcony fallen onto its side reminds you that once,

Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with

Revolution Square Last time when Bucharest was flooded, when in some districts the water rose as high as half of the Dacia car parked on the sidewalk, none of the Romanian reporters or newscasters failed to draw a comparison between our capital and a “European” one.