Compromis

from Exuviae  I squat in the middle of the room. I find it hard to talk about myself in the past. And today, only a specific kind of music, sometimes, or some dizzying book can make all the multitudes you are made of get along, keep together, come back docilely to your

I have meant to decompose and recompose the forms and the colors in order to prove and disclose their essence. Hortensia Papadat-Bengescu After a short story debut dominated by lyricism (Deep Waters, The Woman in front of the Mirror) and while trying (and managing) to

excerpts The Diary and Its Readers We should not overdo it with diaries and letters. We usually tend to deem them more revealing of the man than his public work. All that is secretive, familiar draws us as if it were a confession. It is the pleasure of breaking an interdiction,

1945 January 1st Absolutely alone, this Eve. First time ever, I imagine. Listening to the King's speech and to general Rădescu's[i]. Nonetheless, kicked off the evening by a prayer: asked God for PEACE, serenity, calmness. At the depth of my soul: melancholy,

Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her:

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

Arabesque Graceful silhouettes, jumps, pirouettes, endless rehearsals, precision, tenacity, discipline, harmony between body, movement and music to attain the purity given off during that glissade in which glided the white ballerinas in Bacovia's poem or in a painting

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

excerpts Unfortunately, in this country we talk, but do not communicate, in the sense of a science of communication. This is particularly obvious in the public area, where people do not express thanks, do not salute, and address each other on familiar terms without justification.

The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed

excerpts Chapter IIIThe Nature of the Being  (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not

Chapter XII. The Current [1907] Psychological Traits of the Romanian PeopleAll foreigners that visited the Romanian countries were unpleasantly struck by the negative traits of our character. They don't care, says Mr. X. Marmier, for the name of their master. What they