Caragiale

Critical Considerations On Caragiale

excerpt 'A friend, newspaper reporter' tries to mystify the author by dropping the 'bombshell' about the arrest of some very dangerous anarchists, with bags full of dynamite, poison, daggers, pistols, and compromising letters. The man inquires around

The Romanian Nation

Very few people today will remember a famous newspaper that used to appear at some point in the capital, during the war of independence. I mean here 'The Romanian Nation' that Frédéric Damé and I published together. The life of that paper was as short as it

A Speech

It's all set! On Saturday I am to deliver a speech in the plenary meeting of the SPDRM. There's no way out: I did, in a moment of utter weakness, promise an old friend of mine, Mrs. Parigoridi – so it is now for me a matter of conscience, of honour, of heart

The Beoble!

Our century witnessed the birth and death of a most interesting state, a state that no conscientious historian is allowed to overlook. I mean the Republic of Ploieşti, a state that, in spite of its only fifteen hours of life, has undoubtedly written a most famous page in

The Subversive Classic

Caragiale cannot be celebrated officially and patriotically because his writings, his profile as an author, the entire symbolism around his name and works retain an active subversive dimension altogether incompatible with the intrinsic solemnity of a ceremony. One has to

Editor's Note

The threshold between the millenniums is an opportunity for evaluation: tributes, jubilees, festivals. Archives are being browsed, masterpieces are reappraised, and writings are redefined in the current context, then recirculated in today's competition. Everything becomes

The Filigree Of Genius

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

Women Inc.

The first woman characters of the modern Romanian literature were anything but womanly. The Romanian romantic theatre and the historical romances of the nineteenth century abound in strong-willed, ambitious princesses, exasperated by the lack of guts in their male partners.

Facing Their Faces

Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because

The Dialectics Of National Self-Criticism

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions

From The Country Of Jackasses

III. The Culture of Jackasses When an ass leaves his village to go live in the city a wonderful change occurs in him: his asininity leaves the body and sets straight into the soul. In donkey parlance this means the respective jackass becomes cultivated. Thus, an educated

Caragiale, Laughter And The Romanians' Nature

And let's be serious for a moment, if just as a whimIon Luca Caragiale In L'Art du roman, Milan Kundera remarked, while speaking of Rabelais, that he coined a significant number of neologisms, many of which have entered French, and then other languages. Not all