Caragiale

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions

III. The Culture of Jackasses When an ass leaves his village to go live in the city a wonderful change occurs in him: his asininity leaves the body and sets straight into the soul. In donkey parlance this means the respective jackass becomes cultivated. Thus, an educated

And let's be serious for a moment, if just as a whimIon Luca Caragiale In L'Art du roman, Milan Kundera remarked, while speaking of Rabelais, that he coined a significant number of neologisms, many of which have entered French, and then other languages. Not all

The Romanian, in general, although he has a sense of humor, is serious and pondering. He dislikes banter. This explains why Caragiale's works, to many people's amazement, are not relished enough across the nation. […] The Romanian is constructive, steadfast,

…The niggler is a staunch patriot, an exclusive nationalist, a Romanian to the marrow! Everyone must know it! Whether his party is in office or, when unfortunately this is not possible, in opposition, the niggler congratulates Rrromania in the first case, bewails it in

In D. Draghicescu's terms, this transactional spirit (Cough up more, sir! – Knock some off, mister!, as a folk saying goes) is the legacy of the Orient, a stamp of the Levant on our past, present and, presumably, future. In this key, the transaction points to a polymorphous

 I must admit I didn't quite understand in the beginning why, shortly after 1989, the Western mass-media has so hastily labeled us as suffering from a deep identity crisis. I was downright indignant: after having sadistically experimented Communism on us for half

When we are angry with the country and ourselves, our own people appears to us like a horde of cowards, thieves and idlers; when things go slightly better, we are instantly tempted to raise the temperature of our assessment by two or three degrees. Some believe that there

Those writers obsessed by the form, which they do not hesitate to convert into a norm, are too well familiar with the pain that accompanies the process of completing a page in a duly controlled, stylish, manner. Ultimately, one writes on waters, since all messages are, from

NOTES HoroscopeFebruary 2, 1921, 18:00, at Margot'sVery, very proud, capable of dissimulating anything. Compulsive gambler with a fondness for women; extremely passionate, I run the risk of killing someone. I have inherited the intelligence and character of my mother.

The well-known elements of fanciful prose are being joined by new features and grouped in a personal synthesis by the writing of Mateiu I. Caragiale. If we wanted to make a connection between Mateiu Caragiale and his father, the great Ion Luca, we would need to refer to

In a recent French translation Old-Court Philanderers have made quite a sensation. Different from Panait Istrati whose epic caught our attention, Mateiu I. Caragiale is not so good at describing a certain medium; his force lies in his rhythm, his intimate thrill, his sentence