Calea victoriei

The author of the brilliant Ouvert la nuit series seems to be in a state of conflict with some Bucharest dwellers. Out of incontestable affection for our Capital, he tried to picture it as a city portrait for the Western world, and he managed to make enemies out of the very

What is one supposed to understand by image and to what extent should one take it to heart? Physiologically, the image is the consciousness one is left with about an absent object. It is, therefore, the opposite of perception, i. e. representation of a present object. In

Bucharest became the capital of Wallachia in the middle of the sixteenth century in preference to the earlier sub‑Carpathian capitals of Câmpulung, Curtea de Argeş and Târgovişte. It became the capital of the united Romanian principalities of Wallachia and Moldavia

About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in

excerpt It's lunch time. Instinctively, I make for Calea Victoriei, where this hour is set for the fashionable to meet between the Royal Palace and [Elisabeta] Boulevard, as on rue Vivienne during the Restoration. The beautiful shops that border the narrow sidewalks

excerpts IV In his office on the ground floor, Saferian, on a chair and surrounded by four men, all standing, was contemplating an oil portrait, set near them against the back of an ordinary straw chair. It is an Ingres, most certainly, said one of the four, a man with trimmed

Member of the Academy Barbu Slătineanu was one of those people that draw your attention at first sight. The first time I met him was by chance: I was a doctor and I went to see his brother-in-law, Playno, who lived in the same house on Obedenaru street. Ever since, I considered

One should add to the romantic universe of Berlioz, Chopin, Liszt and Wagner the love story of Maria Cantacuzino and the composer George Enescu, as the mystery of its extraordinary tension has been revealed in the recently published Ombres et lumières, Souvenirs d'une

N. D. Cocea (1880-1949): The Psychological Analysis of InfidelityWhat got into you, saleslady? / How come you hold your head so high / Over a black patch? That's how an old suburban song goes. Pentr-un petec de negreata / Over a Black Patch is also the title of the

ParisLes Belles Lettres2003 DES BALKANS A L'OCCIDENTJ'ai tracé, dans leurs grandes lignes, les événements cruciaux de la moitié du siècle, de 1821 à 1866. Mais à la même période s'engage un profond processus qui modifie non seulement les bases politiques,

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae