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The 1900 Crisis The Break By 1900, no more bets. Pessimism. Denial of progress, return of the cyclic history. Social conflicts. Revolutions. Decline of the West and the yellow peril. Anti-utopia. The Great War. Abstract art. Earthquakes. Halley's comet. The end of the

CHAPTER I Structures and Methods An Ambiguous Condition What if the history of the imaginary did not exist? Beyond all paradox, the question deserves to be raised. Following a hectic and contorted history, this discipline is hindered by theoretical and ideological difficulties.

The Bucharest Surrealist Group1939-1947* […] Madness, black humor, dreams, eroticism, revolt: if one cannot speak of Unu (One) and Alge (Algae) as surrealist magazines in the strict sense, these themes indicate however the increasing attraction of a number of Romanian

For writers are all jesters, and all the jests together: Literature  In the history of literature, Tristan Tzara is regarded as the founder of Dada, an international literary and artistic movement, born in Zurich in 1916, with ramifications and outposts across three continents.

A Message to the International Surrealist Movement  We address ourselves to our surrealist friends scattered all over the world and, as in great shipwrecks, we indicate to them our exact location, at latitude 44° 5' North and longitude 26° East. The inexhaustible

The message addressed to international surrealism. Theoretical contributions and techniques proposed by the Romanian surrealists Between 1938-1940, two young Romanian poets, Gellu Naum and Gherasim Luca, were in Paris – Naum to study philosophy, and Luca as the precarious

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book

(from: Chapter 5 - The Map of Metopolis Scaled 1:1; Chapter 4 - The Rail Car of the Millionaire, and from At the Armenian's Tavern and Once Again at the Armenian's Tavern - Chapters 3 and 6) If you are far, far away from the city and take a completely different

The wire that I had failed to see hit me below my knees. The earth turned, the boles propped against the stars somersaulted and I no longer heard the whistles. The red bells started to toll. Whipped up by the rain, the smell of weed and death that had simply been the breath

Einem gelang es – er hob den Schleier Goettin zu Sais. . . Novalis I One morning in the autumn of 1934, a messenger brought me a rather strange letter, adding he was waiting for an answer right then and there. The letter was from a lady, Mrs. Zerlendi, whose name I had

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian