Nationally-Specific Art In Interwar Romania
Art history is usually at ease when imposing its own concepts and technical terminology upon an apparently unconscious body of visual accomplishments called works of art. For art historians and art critics, art seemingly exists in order for theorists to put words on it and
Spiritual Itinerary, 1927
excerpt 1. Guidelines I begin, with these pages, the publication of some notes, or observations, or reflections, or monologues regarding our generation. The decision is not presumptuous, or unrealizable. It will be said that as long as a generation exists, it's a
The Agrarian Revolution And The Evolution Of The Peasantry, 1923
excerpts Agriculture, qua exploitation, can never completely be geared into the capitalist system. K. Bücher, Enstehung der Volkswirtschaft, vol. 2 (1920), p. 84. In history, one never encounters peasants destroyed by the exploitative superiority of major competitors.
Historical Ideas And Forms, 1919
Four Inaugural Lecturesexcerpts TWI ENI KAI PANTI 1. Our Life's DutyLecture to open the courses on Ancient History and The History of the Arts, held in the winter semester of MCMXIX-MCMXX at the University of Cluj, read on II November MCMXIX From one day to the next,
King Carol II And The Myth Of Eternal Romania
The historiographical approach is one of the fundamental elements of the political system which propaganda may serve. The legitimation of a political regime and its leader through the national historical pantheon represents a necessary action for the dynamism of the propagandistic
The National Spirit, 1926
The polemic, sustained by two journals, around a problem that is admittedly dated has yet to die down. One of them maintains that we are surrounded by Chinese walls, that we vegetate in an oriental indifference when we are not openly hostile toward the flow of ideas and
Europeanism And Traditionalism, 1924
excerpt We have finally got our own querelle des anciens et des modernes. Several traditionalist publications are once again demanding clear, classical art. Others ask for authentic Romanian art, that is, inspired from national velleities and potential. Finally, some denounce
Orthodoxy And Romanianness, 1929
excerpts Orthodoxy is the rhythm in which the most authentic breath of complete life can be found, of life lived with the wish for the progress by which the evil that hurt it is made good, and by which it is elevated towards the perfection, which is its real normal status.
The Second Independence, 1926
There is a technique of the life of the matter and a technique of the life of the soul. One is the result of scientific findings and inventions based on precise and universally valid laws; the other is the result of long-wearing inner experiences of man with himself, with
Religion And Identity In Interwar Romania: Orthodoxism
In the two decades between the world wars the majority of Romanian intellectuals were engaged in a grand debate about what it meant to be Romanian and how national character determined social and political development. [1] The ideological commitments of the protagonists
ABC ... Why?
click here to see more (in Romanian) Artistic director ABC. . . Why? I am quite familiar with puppets: as a stage director I have put on a few puppet shows, and at home I've got a live one. Now I am experiencing great joy: after seven years of television work, I'm
Ţăndărică Hand Puppet And Marionette Theater
www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae