Artisti

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture

Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places

excerpt THE ROMANIANS' SPIRITUAL LIFE The Two Myths of Romanian SpiritualityIn any culture, there is always a central myth that discovers it and that is to be found in all its major works of art. Romanians' spiritual life is dominated by two myths that express,

The experimental artist Grigorescu Ion has forged himself some time ago out of the painter Ion Grigorescu. Indeed, in Romanian it is rather unusual for an adult to put his family name before the forename. Customarily, this happens in official documents or in school registers,

After the last act, with the collar of the raincoat raised, hiding the flowers picked up from the stage by the flyman, he was the last to go out in the street. The doors were closing on the dark halls. The square was empty. The light bulbs threw a bluish and so sad a light

Romanians of more recent generations, but also some of the older ones, who were born before the Soviet occupation, and the instauration of communism in this country, without reaching then intellectual maturity, look to the period that was cut short in 1948 as a privileged

COMPOSER, MUSICOLOGIST, WRITER, FOLKLORIST, INSTRUMENTALIST, ESTHETICIAN, PROFESSOR, BYZANTINOLOGIST, PHILOSOPHER Born in Galatzi (24 March 1885), he began his musical studies with his father, the composer and professor Constantin Cuclin, continued at the Bucharest Conservatoire

At first sight, nothing could be more reasonable or understandable than the illustration of the present issue of PLURAL. As the texts spin around the sexual obsession in Romanian literature, running from Creanga`s licentious Tale of All Tales to Agopian and Aldulescu`s swank,