Artisti

Georges de Bellio, 1894 (oil on canvas) by Giovanni Boldini (1842-1931) Among phenomena adjacent to art, art collecting is known as representing a consequence of the rapports art-artist-society, and as quite sensitive to the evolution of style and society's conduct

click here for Brukenthal Museum An emblem of Sibiu, the Brukenthal Museum is one of the most important abodes of culture that has garnered national and European repute. Since its official opening on February 25, 1803, it laid an indelible mark on the cultural life of the

A number of objects of the same kind or category which, put together and arranged systematically, have an artistic, scientific, documentary value – this is the definition of the word collection, of Latin origin. Accordingly, the collector would be the person that initiates,

The English-speaking people do not have a perfect equivalent for the French joie de vivre. The latter conveys the accord between body and soul, the excitement at the prospects of the future (advienne que pourra), the feeling of well-being (se sentir bien dans sa peau).

 I have never associated bohemia with physical misery. In my opinion poverty and lack of comfort don't necessarily have physiological consequences. Bohemia is an act one takes responsibility for as long as it doesn't diminish the dignity of the individual. For

The Lumière Brothers' toy, perfected year after year, challenges Thalia and Melpomene and the people of Bucharest take cinemas by storm. Businessmen are quick in smelling money, and thus many individuals whose energy used to be spent at the haberdasher's or on

Barbu Lautaru rustled up his physical and artistic resources, desirous to make an impression on Franz Liszt whom he met during the great Hungarian virtuoso's visit to Moldavia. Their encounter became famous thanks to an article carried by the French weekly La Vie Parisienne,

excerpts Chapter XV. Scenes of Social Life The beautiful autumn days of the year 1817 had already flitted along with the joys they bring to pass for the inhabitants of Romania. Winter had made quite an early appearance and the western wind had by now started to blow in

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real