Eugen Ionesco - Interviews
UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't
The French Literary View On Enescu's Sense Of Yearning
It has been said – for good reason – that the Romanian word dor [aprox. yearning] is untranslatable, which made all foreign lexicographers leave it in its original form in most literary texts. But in music there is also a dor enescian [Enescian yearning], which someone
Famous People About Enescu
Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention
George Enescu At The Beginning Of A New Millennium
The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally
Constantin Brâncuşi: The Temple Of Liberation And The Hieratic Emblem Of The Chimera
The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to
Brâncuşi And The Significance Of Matter
In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the
Nicolae Iorga
When at only 19, Nicolae Iorga (1871-1940) defended his university degree examinations one of his examining professors characterized him as a true phenomenon both in point of memory and power of ratiocination. Then Iorga worked hard in Paris and in Germany, obtaining a
The Cultural And Intellectual Life Of Bucharest
As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They
Museums: What They Are And What They Must Be. The Example Of America
We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes
The Woman Painter Of Modern Life
Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally
An Aesthetics Of Femininity. Psycho-Critical Determinations
At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by
Mrs. T
From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina