Artisti

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

South Pacific, December 1999 To be a Romanian writer (therefore in the minority) in New Zealand! Ibi patria, ubi – wife. In New Zealand, I think about the confluence of our lives. We come from so far apart, we meet unexpectedly, we link our lives, our fates together.

excerptStanding in front of the Corso building on Calea Victoriei one day, he felt someone's familiar gaze follow him from across the street, as if to catch his eye. He crossed over, as though answering a call, and discovered a picture of Ann among several other portraits

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

In Romanian, Bucharest is a plural noun. This implies it is a multifaceted city, dazzling in its diversity. However, it is not a conglomerate of villages, of boroughs, like London or New York. There are not self-contained neighborhoods, each with its main street (High Street),

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

The oldest recollections of actors of your generation used to begin with the scene of a provincial school festival: the future star winning a well-known, sympathetic audience made up of parents, grandparents, family friends, touched aunts. The memory of past reality is overwhelmed

In the heart of Romania's Capital stands the monumental building of the Romanian Athenaeum, the symbolic edifice of the most significant musical events ever since 1889 and, at the same time, the cradle of the International George Enescu Festival. There is no musical