Artist

A conflict has arisen, a platonic one for now. The directors of the theatres in Bucharest are questioning the sense of an out-dated provision stipulating that performances must not be carried out during fast weeks. The holy metropolises and bishoprics have demanded this

excerpt Kiseleff road is a sort of a Romanian Bois de Boulogne. It is here that rich women display their outstandingly sumptuous garments and rigs. On Sundays and on holidays everybody comes to have a walk on the Road, which renders transport almost impossible. Wonderful

Barbu Lautaru rustled up his physical and artistic resources, desirous to make an impression on Franz Liszt whom he met during the great Hungarian virtuoso's visit to Moldavia. Their encounter became famous thanks to an article carried by the French weekly La Vie Parisienne,

excerpts Chapter XV. Scenes of Social Life The beautiful autumn days of the year 1817 had already flitted along with the joys they bring to pass for the inhabitants of Romania. Winter had made quite an early appearance and the western wind had by now started to blow in

excerpt Nothing, says Mr. N. , in an witty critique of Iaşi society, nothing is more boring than Iaşi for a foreign traveler whose name does not include the rewarding of particle, and whose only concern is to do business and not entertain the little civilized inhabitants

excerpts At the end of every winter, in a hall illuminated by electric lights and covered by wooden floors, near the Central Station, at Locomotiva, the Craftsmen's Ball was the event of the season. Craftsmen from all over Bucharest brought their wives to party and

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and