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My friend Mr. Manolache Cuvidi is a well-known character in our society; he is a man of substance, his rather comfortable wealth has been earned through honest work; he's an intelligent and earnest fellow, an ideal husband and an ideal father of a family. Given so many

excerpts 1. Now, as for the figments of the German imagination - why turn to them at all? They're nothing but fads. (the respectable Jupîn Dumitrache)You love me too, leave off pretending and put all fads aside. (Rică)Come off it and put all fads aside, Ghiţă.

There was once an old woman who had three sons, tall like steeples and of virtue mighty but dumb as fishes. The old woman had a plentiful household, with a fine piece of land, a stout manor and annexes, a vineyard and nice orchard, cattle and lots of poultry. Besides all

One fair day the sultan walked about his cityPlain in dress, together with his high vizier. On the spot he noticed lying in the gutterA dime which he, stooping, picked up in great haste. The vizier, who witnessed this parsimonyMade so bold in asking of his majesty:'Please

CANTO THE TENTHArgument Considering the counsel vainOf all the rank and file, The Gypsies chose those of schooled brainTo gather for a whileAnd judge what government is goodFor the entire Gypsihood.  1Now when the maw is well provided for,The mouth is ready and the tongue

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

It comes as no surprise that a genuinely encyclopedic spirit of Nicolae Iorga's caliber, conversant with history, literature, religion, church, army, commerce, education, trades, guilds, arts, etc. , etc. , should be passionate about music. His existence was markedly