Once Upon A Time, At Mişu Weinberg's
It was in May 1972, when I paid my first visit to the Weinbergs. I still have a warm dedication from the host as testimony. I was coming from the Museums Review to record a few thoughts about the Weinberg collection, the foundations of which had been laid in the tumultuous
The Slătineanu Comparative Art Collection - An Extinct Art Museum
1947. The year of the most despotic deeds of the communist regime come to power in the shadow of the Soviet tanks. The ordeal of the Romanian intellectual elites (and not only) begins. The Slătineanu family find themselves treated like common criminals. The whole family
Barbu Slătineanu, A Lover Of Beauty And A Victim Of Bolshevism
Member of the Academy Barbu Slătineanu was one of those people that draw your attention at first sight. The first time I met him was by chance: I was a doctor and I went to see his brother-in-law, Playno, who lived in the same house on Obedenaru street. Ever since, I considered
Master Barbu And Slătineanu House
The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house
Imprimé et pouvoir. France, Russie, Principautés Roumaines (XVIe–XIXe siècles), 2008, 176 p.
Imprimé et pouvoir. France, Russie, Principautés Roumaines (XVIe–XIXe siècles)- Actes du colloque international Bucarest, New Europe College, le 10 juin 2002. Coordonator: Radu Păun
Hrandt
The reader will remember, if I draw his attention thereto, that the magnetic attraction exerted by the Hrandt and Rose Avakian home on me during my teenage years originated in the Eastern art statuettes particularly present on the cants, albeit not only there, but rather
The Collector Hrandt Avakian
The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,
The Beatrice And Hrandt Avakian Collection
22 Spătarului Street, Bucharest (see also in Romanian with illustration) The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the
The Professor Garabet Avachian Collection
(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly
The Professor George Oprescu Collection
Once, the art lover, strolling along the streets of Bucharest, would stop in front of certain houses – either known to him or not – that confined within their walls innumerable works of art. Around these art works there endured a name, that of the people who had gathered
The Birth Of A Museum In Memoirs And Documents
The Eng. Dumitru Minovici Museum of Ancient Western Art at 3 Nicolae Minovici St. in Bucharest was born in June 1945 as a result of the donation made by Dumitru Minovici to the Romanian Academy. It is the only museum of the Romanian Academy in Bucharest. We will first present
The Mina Minovici Museum
Mina Minovici Museum, 3 Nicolae Minovici St. In 1936, Dr Nicolae Minovoci donates to the city of Bucharest his villa in Romanian folk style built in 1905 following the designs of architect Cristofi Cerchez, as well as his entire collection of folk art: costumes from the