I No Longer Love Bucharest
I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing
Dazzling
excerpt Beyond this second row of buildings, the town sprawled out to the horizon, covering half the window with an increasingly minced, confusing, indistinct, random mixture of the vegetal and architectural, with poplars’ spears soaring up here and there, and strange
Blizzard In Bucharest
a fragment from The Blind, Chapter Two of Corpuri de iluminat/ Dark Bodies Through Sfântul Ştefan, beyond the old Height and over the tramline in Bărăţiei, a phanariot and decayed Bucharest drained under the snow; a balcony fallen onto its side reminds you that once,
Bucharest – Little Summit In Paris
I hadn't wanted to leave Bucharest during the NATO summit (2-4 April, 2008). Why should I have left? I'd have left after and not before it. To me Bucharest seems to be now exactly how it should be all the time. Less traffic in the center, more traffic on the outskirts
Neo-Western Supremacism
Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the
Bughettorest
Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with
Horizontal Archeology
They used to call it little Paris for its French-style buildings and atmosphere. But now Bucharest looks like a little globalization of various epochs. The trouble is that you do not have to dig vertically for those epochs like archeologists, because builders have amassed
Mitica Is Dead
Revolution Square Last time when Bucharest was flooded, when in some districts the water rose as high as half of the Dacia car parked on the sidewalk, none of the Romanian reporters or newscasters failed to draw a comparison between our capital and a “European” one.
Souls For Sale
Unlike Poles, Czechs or Hungarians, most Romanians were left with something after communism: a home in an apartment building or a house with a front yard, a villa if your father worked for the Securitate (the Romanian secret services), a piece of land or just some land in
The City's Ugliest Square
Clockwise from top left: Revolution Square, Maniu statue, Coposu bust, Hilton Athenee Palace, Kretzulescu Church, University Library, Ataturk bust, Carol I equestrian statue. Post-revolutionary administrators of the capital city have managed to turn the birth place of the
L. P.
Athenaeum and CEC Palace on Calea Victoriei We like to refer to the “exterior” whenever we analyze local problems and the present day situation in our country can only prove us right. Starting with the ambition of political Europeanization and ending with the famous
A Showcase For Kalodont
Gregor von Rezzori has never been part of Romanian-German literature, a fact regretted even beyond his death. The writer, who was born in 1914 in Czernowitz and died in 1998 in his home in Florence, would have, nonetheless, met some of the conditions for qualification. But,