Apa

1Not you, Allen Ginsberg,nor you, the Jewish God of Revenge,nor his five-thousand years old people,shall hear my Kaddish,but you, Gentiles, shall hear it,here,in Europe. I, the uncircumcised,a child of the baptized childrenof a thousand years, -before your eyes I grew a

Visiting cities, a consumer tourist practice, is usually presented in the same image wrapping like shopping in a boutique, or attending to a show: one goes for the glossiest package, the funniest label, the wildest excitement vouched for. As a tourist product, a city is

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

Paul Neagu's Century Cross was set up at Charles de Gaulle Plaza (the former TelevisionPlaza), Bucharest, in September 1997, as a memento of the 1989 anti-Communist riots. It is a six meter wide lenticular bronze disk with a large cross pattern on both faces made up

After my first visit to Bucharest, in the mid-eighties, I returned to my native province with a splitting headache; I recounted the details of this anecdote elsewhere* – anyway, they had to do with two mugs of beer and a few mititei – spicy burgers – swallowed on a

excerpt I am going to tell you of things that happened back in 1960 or 1961, when I was still a little girl, no more than 12 years old. I was living with my family in Moşilor Street, in one of those queer houses, with the second floor protruding a little, with two very

In Romanian, Bucharest is a plural noun. This implies it is a multifaceted city, dazzling in its diversity. However, it is not a conglomerate of villages, of boroughs, like London or New York. There are not self-contained neighborhoods, each with its main street (High Street),

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

excerpt Bucharest is a city with bleak winters and decomposingly hot summers. The sewage system is primitive and complicated, because it follows twisted streets. Repair works, lasting forever, produce trenches, hindering the traffic. There is no room for relaxation, or refreshing.

Special attention should be given to Elena Văcărescu, whose outstanding personality and whose life contributed greatly to the revival of the Romanian spirit, inherited from her forerunners. Until not long ago, mention was often made of the four Văcărescu poets and the

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you