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With each new performance, the director-choreographer Răzvan Mazilu shapes even better his personality and his special type of performance, unique at this moment in our theatrical environment. With each new show, the director-choreographer Răzvan Mazilu adds something

With good reason, Ion Caramitru, the new minister of culture, said in a recent television show that, if from the political and economic viewpoints we must still make efforts to align to the European standards, from the cultural point of view we have been in the European

Mălina Andrei is yet another young creator whose presence is being increasingly felt in our choreographic landscape. This year she will graduate from the Academy of Theater and Motion Pictures, the choreography section, but she already teaches contemporary dancing at the

Once upon a time, the Choreography High School in Cluj was renowned for the quality of the dancers who graduated there, as if in Transylvania there were more handsome, gifted boys than elsewhere. For once, in 1973, the Bucharest Opera opened its doors to an exceptional generation

Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary

The new season of the National Opera opened this autumn with a ballet made up of four choreographic pieces united under the title of the most elaborate one, Daphnis and Chloe, a production staged by Gelu Barbu, a Romanian choreographer from the Diaspora. Gelu Barbu belongs

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t

The Balkans are Europe's ass.  The Romanian language has complete virtues, that is, it can be the vehicle of anything spiritual created by man. It is very hard to use. With it, one may become an eagle or a lectern singer. The Romanian language has all the axiological

The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed

The Romanian, in general, although he has a sense of humor, is serious and pondering. He dislikes banter. This explains why Caragiale's works, to many people's amazement, are not relished enough across the nation. […] The Romanian is constructive, steadfast,