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I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Carmen Chihaia: Contemporary dancing seems to be winning over classical ballet. Maestro, considering your comprehensive view of the current directions, which school/tendency do you think will be able to impose itself, to bring something else that both audiences and artists

Managing Director, Oleg Danovski Ballet Theater Oleg Danovski's unquestioned merit lay in resisting the temptation of accepting to be turned into a ritual by the critique and the cultural bureaucracy, and in having launched, in the '80s, a first off the opera

In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

The opening of a department of Choreography in the Theatre and Film Academy in 1991, started to produce results two years ago. The academic training offered a large cultural opening to the dancers and choreographers that studied there. I had the chance to see some of the

The recent premiere presented by the Center for Artistic Expression of the Odeon Theater, Not Me and Solo, from Samuel Beckett, is a dance show by Raluca Ianegic, and it proves that choreography has indeed found in Beckett a good companion in ideas, as his work corresponds

It's been a long time since, at the Romanian Opera, I have assisted at a première with an allure of great show as it is now Mihaela Atanasiu's Peer Gynt. An authentic première, not the remake of a show put out of the program for a while, not the resumption, either,

I suggest a discussion about superlatives. You have had a superlative career – as a matter of fact, two careers that at first intertwined, and then continued separately. Chronologically, who were your best teachers? My maestros were Anton Romanowski, Oleg Danovski, Gelu

BALLET OPENING NIGHT AT THE NATIONAL ROMANIAN OPERA The two ballets staged by Alexa Mezincescu in her recent premiere on the boards of the National Romanian Opera in Bucharest, The Firebird and The Rite of Spring by Igor Stravinsky, marked, at the moment of their creation

Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.

Dance is the poetry of movement, the supreme poem of life because, more so than music, is Its direct manifestation… which does not speak, does not meditate, but only lives. by Hortensia Papadat-Bengescu (1876-1955)