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Preface To Benjamin Fundoianu, Images And Books

excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:

Benjamin Fundoianu (Fondane)

Real name: Benjamin WexlerBorn in Iasi, 1898. Boarding school in Iasi. Debut at 16 in O. Densusianu's The New Life magazine (1914). He reads some of his poems to Ion Minulescu during the refuge (Iasi). He establishes the Island avant-garde theatre (with Armand Pascal).

Diary

excerptsWednesday, September 30, 1936 Sunday and Monday at Roman. I left the place most disquieted. I had the feeling I should never be able to rejoin life again. Everything seemed futile, absurd (…)Now it's all behind me. In a way, it went clear out of my mind.

Critics About M. Blecher

The unconscious is a privileged territory for Blecher's creation. It's the storage room of all chimeras, the source of imagination, the combustion of the narrative discourse, the origin of the delirium, which feeds the revelation and the inspiration. We can talk

The Lightened Burrow

excerpts When I call up one of these memories with my eyes closed and it is reborn with the intensity of its previous reality; when at other times, with the same intensity and in the same convincing light, settings and events which never happened pass through my mind; when

Occurrences In Current Unreality

excerpts I could find antiques and old objects evoking sad memories on still another deserted floor in my grandfather's house. There the walls were covered by strange pictures having thick, gilded, wooden frames, or thinner frames of red plush. There were also several

The Destiny Of Old-Court Philanderers

In a recent French translation Old-Court Philanderers have made quite a sensation. Different from Panait Istrati whose epic caught our attention, Mateiu I. Caragiale is not so good at describing a certain medium; his force lies in his rhythm, his intimate thrill, his sentence

Critics About Mateiu Caragiale

He was more of a unsociable person, a loner, he seemed sullen and morose. Only among his friends he would become again the father of eloquence and paradox. Eugen LOVINESCU There was no one in the house of the great loner but me. From time to time, an old lady with big

Mateiu I. Caragiale

Mateiu Caragiale left us a literary heritage, fragmentary in its outlook that puzzled and amazed through its originality, through an appetite for mystery it seemed to originate in, through the secret inspiration that fed it and through its old-fashioned lyricism which was

Old-Court Philanderers

excerpts Que voulez-vous, nous sommes ici aux portes de l'Orient, où tout est pris à la légère. Raymond Poincaré*Welcoming the Philanderers…au tapis-franc nous étions réunis. L. Protat**Although no further than the night before I had promised myself under

Urmuz, The Solitary

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

The Funnel And Stamate

IA well-ventilated apartment consisting of three rooms, glass-enclosed terrace and a door-bell. Out front, a sumptuous living-room, its back wall taken up by a solid oak book-case perennially wrapped in soaking bed-sheets… A legless table right in the middle, based on