Alis

Several TV channels have been offering lately, especially on the lazier weekend days, shows about houses. They're filmed at more than sluggish speeds, with repeated shots and, usually, presented by voices that just can't contain their admiration for the ideas of

Peeled off plaster, broken windows, rats scuttling at ease day and night. And above all, the filth. Complete and utter filth reigning supreme over a piece of downtown Bucharest. But also over a piece of our past. The only part still living is the sign above the door, reading

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

I used to play this game when I was a child, I played it so often that, from one day to the next, I always remembered to keep some leaves of grass, small leaves or even an entire plant, root and all, in my pockets, socks or sleeves. Little children played it too, later on.

Michel Bührer: Bucharest A Cannibal City and White Billboards exhibition at the National Museum of Contemporary Art, 10-11 2008 Bucharest, a “Little Paris” of the ghettoThe exhibition of the Swiss Journalist Michel Bührer, Bucharest, a Cannibal City/White Billboards

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the

They used to call it little Paris for its French-style buildings and atmosphere. But now Bucharest looks like a little globalization of various epochs. The trouble is that you do not have to dig vertically for those epochs like archeologists, because builders have amassed

Revolution Square Last time when Bucharest was flooded, when in some districts the water rose as high as half of the Dacia car parked on the sidewalk, none of the Romanian reporters or newscasters failed to draw a comparison between our capital and a “European” one.

Clockwise from top left: Revolution Square, Maniu statue, Coposu bust, Hilton Athenee Palace, Kretzulescu Church, University Library, Ataturk bust, Carol I equestrian statue. Post-revolutionary administrators of the capital city have managed to turn the birth place of the

Athenaeum and CEC Palace on Calea Victoriei We like to refer to the “exterior” whenever we analyze local problems and the present day situation in our country can only prove us right. Starting with the ambition of political Europeanization and ending with the famous

Gregor von Rezzori has never been part of Romanian-German literature, a fact regretted even beyond his death. The writer, who was born in 1914 in Czernowitz and died in 1998 in his home in Florence, would have, nonetheless, met some of the conditions for qualification. But,