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Writing an oral history of a ten-year-old child may seem like a perfectly absurd enterprise any day of the week. The social experience of an individual of ten would not recommend an approach of this kind. With such a person it cannot be a matter of immediate memory. Hence

An intellectual's room: books, books, books. At his desk, Father is reading, taking notes, reading. . . the door cracks open and Puiu enters: he advances a few steps, sees Father absorbed in work, and makes for the door.  FATHER (feels his presence): Puiu, is that

Ever since I had known him (and there are many, many years since then, almost four), Georgica is profoundly dissatisfied with the fact he doesn't have a moustache, like every man, and isn't allowed yet to manage by himself. Why, Georgica wonders, why do you have

It had been three days since the wind had been blowing from the east, the earth had dried up, and in the thicket from the edge of the village, on the bank of Siret, the cornel trees started to bloom, yellowish. Dumitru Onisor's youngest son took out six sheep to graze

Due to a perverse intellectual precocity, Barutzu confuses literature with lard. . . You'll get a D in Romanian! Daddikins shouted at him, offended in his pedagogy. Barutzu feels no emotion whatever. He aberrantly lacks the common sense of merit, the patriotism of class

excerpts CHAPTER I How had the members of the Cherry Blossom Club gotten to the town of D. ? That was not a difficult one to answer. First, the little town was not very far from its twin, where the members of the Cherry Blossom Club lived. Then, as it often happens, one

excerpt Even though he would not have admitted it for anything in the world (he was a big boy now!), Gelu had not lost his taste for play. Before his indignant conscience, he held the one guilty to be Jack Barbecan, who had tapped on his door that morning: Gelu, let's

Radu TUDORAN's (penname of Nicolae Bogza) Anchors Away!, a very successful novel, later made into a film (aka Full Sail, 1976, directed by Mircea Mureşan - click to see trailer here), competing in nautical erudition, plot and length with Jules Verne's The Children

excerpt While they were rushing on horseback towards Curtea de Arges, the boy was thinking about Voiena. He could not work out if he still felt something for her. He remembered only the taste of her kisses and the hot softness of the girl's cheek, pressed to his, while

excerpts A Streetcar Named Popescu is a community theater show. The script by stage director Gavriil PINTE (b. 1961) is based on works by Cristian POPESCU (1959-1995). The show begins at a streetcar stop with the audience getting on the streetcar. Then the streetcar joins

The echo of the rich activity of Romanian theater for children on four continents has surpassed even that of theater for adults. This was possible because, in 1965, eleven countries, including Romania, founded in Paris, ASSITEJ – the International Association of Theater

click here to see trailer Present-day Romanian film lives a new childhood, if we consider at least the representatives of the New Wave, who are young and very young film directors with ages between 20 and 30. That is why their films are naïve, very close to childhood or