UCIN

Caragiale cannot be celebrated officially and patriotically because his writings, his profile as an author, the entire symbolism around his name and works retain an active subversive dimension altogether incompatible with the intrinsic solemnity of a ceremony. One has to

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

from Don Juan CHAPTER VI Sometimes he would run into Tonia by chance. This is one way of putting it, because he often walked the streets close to her house, he went to a beer joint two corners away, sometimes he was in the park nearby speaking kindly, helping small groups

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

excerpts Almost every night I talk to Adela on the porch. The ladies go to sleep earlier. Adela shows an attentive, almost submissive, sympathy to the maestro. She is, however, more personal in opinions than before. But what is going on inside her? When she talks it always

vol. II: 1937 – 1960 XXIIII begin to discover America… Chicago, December 10, 1984. For a whole fifteen minutes I have been standing by my window, staring blankly out into the street, without even understanding why. I got up from my desk because I thought it had started

Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her:

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

Reporter: You returned to the company that made you famous, the company that you are emotionally attached to and where we hope you will return. I'd suggest that we should evoke the circumstances in which you arrived at the Ballet Company called Fantasio then [in the

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Having reached its fourth edition, the National Ballet Contest for dancers between 12 and 26, organized by the Theatre of Classical and Contemporary Ballet in Constanţa, presided by the maestro Oleg Danovski, under the care of The National Dance Committee of Romania, whose

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary