Echoes
On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any
The Lord Of Romanian Conducting
After almost a century of symphonic music in Romania (as early as in 1846-1848, the first symphonic concerts changed the artistic life of Bucharest), after three quarters of a century since the establishment of the first philharmonic in Bucharest (1868), a magician appeared
Echoes: Excerpts From The Farewell Concert
In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,
The Romanian School Of Conductors
It is no secret to anyone that in Romania every person who has a good voice and musical talent has sung at least once, in his or her youth, in a choir. People say about Banat, the western region on the boundary with Hungary and Yugoslavia that it is the land of choirs, because
Inner Nature
Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian
P.S. With Victor Brauner (This Is How I Would Like To Write)
With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,
The Passage
1. You open one door and there appears another, then another, and another, up to the last one – which does not even exist – and thus you find yourself at the first door – which does not even exist – and you make a round, once more, unto familiar places, as what you
Gellu Naum
(1. 08. 1915-29. 09. 2001) Gellu Naum (1915-2001) was the only writer pertaining to the historical Romanian surrealist avant-garde who survived, rather untouched but also more or less unheard, the vicissitudes of a half a century of Communist rule. He started publishing
Preface To Benjamin Fundoianu, Images And Books
excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:
B. Fondane's Exile Or Journey To The Centre
excerptsFondane's departure was the result of a personal choice, decision made in absolute freedom, without any pressure from the outside. And, because he was Jewish, we must add that his departure was not triggered by an anti-Semitic gesture against him or by any anti-Semitic
Occurrences In Current Unreality
excerpts I could find antiques and old objects evoking sad memories on still another deserted floor in my grandfather's house. There the walls were covered by strange pictures having thick, gilded, wooden frames, or thinner frames of red plush. There were also several
Mateiu Caragiale Par Lui-Même
NOTES HoroscopeFebruary 2, 1921, 18:00, at Margot'sVery, very proud, capable of dissimulating anything. Compulsive gambler with a fondness for women; extremely passionate, I run the risk of killing someone. I have inherited the intelligence and character of my mother.