Sibiu

It is no secret to anyone that in Romania every person who has a good voice and musical talent has sung at least once, in his or her youth, in a choir. People say about Banat, the western region on the boundary with Hungary and Yugoslavia that it is the land of choirs, because

click here for Emil Sigerus museum Established in 1997, the museum is an institution which brings upfront the contribution that the Transylvanian Saxons made to the development and enrichment of Romanian and world culture in over 800 years of existence in Transylvania.

The museum is the beneficiary of the patrimony, programme, theme and structure of the Asociaţiunea (Association) Museum. The latter was the first museum of the Romanians in Transylvania, opened in 1905, then closed in 1950 out of political reasons. Inaugurated in 1993,

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

click here for Brukenthal Museum An emblem of Sibiu, the Brukenthal Museum is one of the most important abodes of culture that has garnered national and European repute. Since its official opening on February 25, 1803, it laid an indelible mark on the cultural life of the

By definition, the collector is a person who gathers various objects for his pleasure or for study. Didn't we all have this tendency, during our childhood? Remember how we used to show off on our collections of napkins, stamps, beer caps or chewing gum wrappers, of

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture

How much does a museum represent in contemporary cultural life? Is it still a necessity today? Is the support provided to museology, or to be more precise, to acquisitions, specific research, conservation and restoration a good investment? All in all, is there any future

Years ago, I experienced a peculiar evening. My life is far from eventful, and the few significant occurrences I do remember have been sucked for all they're worth in my books. There are, nevertheless, among their number some which, for a variety of reasons, I couldn't