Romanian

The idea of this anthology has been haunting me for a long time. Respect, fear, admiration, even fascination made me postpone incessantly such an attractive project. What would be the framework? How would so many strong personalities, volcanic tempers cohabit between the

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

Showing the electors' arrival in Frankfurt due to the crowning of Joseph II as King of Rome, Goethe mentions the fact that among the most obedient and distinguished personalities some had ridden to Frankfurt according to the old traditional custom, while others had

With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,

I can almost hear Gellu Naum saying: I fell on the pavement on account of the old tree roots which have heaved it. There was a smell of putrid leaves. And of putrid earth. I could not lift myself up. From somewhere, came a cur of a dog. 'You want grass,' I asked.

André Breton wrote: 'The hereafter, the entire hereafter is in this life. ' So did Gellu Naum, the Romanian surrealist poet born in 1915. Zenobia, which he considers his main work, is one of the most beautiful texts of the surrealist International. Populated with

1. You open one door and there appears another, then another, and another, up to the last one – which does not even exist – and thus you find yourself at the first door – which does not even exist – and you make a round, once more, unto familiar places, as what you

(1. 08. 1915-29. 09. 2001) Gellu Naum (1915-2001) was the only writer pertaining to the historical Romanian surrealist avant-garde who survived, rather untouched but also more or less unheard, the vicissitudes of a half a century of Communist rule. He started publishing

Those writers obsessed by the form, which they do not hesitate to convert into a norm, are too well familiar with the pain that accompanies the process of completing a page in a duly controlled, stylish, manner. Ultimately, one writes on waters, since all messages are, from

Explanation Je lis comme je voudrais qu'on me lise: c'est à dire très lentement. André Gide A book written clearly. Clarity, being one of the three conditions required for a work according to France, the author claims it as a merit, although he is absolutely

excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:

excerptsFondane's departure was the result of a personal choice, decision made in absolute freedom, without any pressure from the outside. And, because he was Jewish, we must add that his departure was not triggered by an anti-Semitic gesture against him or by any anti-Semitic