Roma

excerpts A Streetcar Named Popescu is a community theater show. The script by stage director Gavriil PINTE (b. 1961) is based on works by Cristian POPESCU (1959-1995). The show begins at a streetcar stop with the audience getting on the streetcar. Then the streetcar joins

Children shows producer at Romanian TV (ABC…Why?) If we were to take for granted the cartoons shown on TV channels, we should start to weep. All we see are super-heroes, hysterical girls, violence and characters permanently ready to fart or to burp. . . that's what

click here to see more (in Romanian) Artistic director ABC. . . Why? I am quite familiar with puppets: as a stage director I have put on a few puppet shows, and at home I've got a live one. Now I am experiencing great joy: after seven years of television work, I'm

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae

The first traces of puppets were revealed by the archeological diggings of Cucuteni, Jassy county (and later in other areas). Sites from the Neolithic (6. 000-3. 000 B. C. ) have been examined and numerous figures made of bone or clay, which were probably used for religious

The echo of the rich activity of Romanian theater for children on four continents has surpassed even that of theater for adults. This was possible because, in 1965, eleven countries, including Romania, founded in Paris, ASSITEJ – the International Association of Theater

www. teatrulioncreanga. ro Manager of Ion Creangă Theatre Ion Creangă is a children's theater whose shows are inspired from fundamental themes of childhood mythology and oriented towards culture and education. The current repertoire includes: Pinocchio, Puss in Boots,

click here to see trailer Present-day Romanian film lives a new childhood, if we consider at least the representatives of the New Wave, who are young and very young film directors with ages between 20 and 30. That is why their films are naïve, very close to childhood or

Gopo's Little Man (see Short History - click on Scurta istorie to see movie) I have been studying the Gopo archive belonging to the National Film Archive for some years, and now the first volume goes to print. It contains only a part of the legacy left by the film genius,

In 1954, the great Romanian ethnomusicologist Constantin Brăiloiu (1893-1958) held a scientific presentation at Colloque de Wegimont in Belgium that amazed all specialists present in the audience, because it unsettled all theories regarding the musical culture of children

click here (then click Haplea) to see fragment from the 1928 movie Gobbles is a black boot now,On his stool he plies for fare. Everything he's tried so farEnded up in bleak despair.  As he sits twiddling his thumbs,There's his first chance to get paid:Shine 'em

Winters in Ramnicu Valcea were quite mild in those times, though there was plenty of snow (I guess this is the cliché of those whose childhood memories are blurred by their excessive subjectivity); anyway, they unfolded following a certain ritual: at the beginning of December