Roma

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

Creator of a ballet genre that draws on the essence of Romanian folk dance, expressing it in a vocabulary that includes elements borrowed from gymnastics – a genre rightly defined by the critic Liana Tugearu as 'Romanian rhythmic dance. ' From the ten pieces

I am working on a new project entitled Memory for Sale (Childhood Included) that represents an attempt to gain access to another level of conscience, at which thought, sensation and body are no longer separated. I will finish the show during my two-months stay in Vienna

After a beautiful career as classicist in the country and abroad, Mihaela Santo had eventually to end her career as ballerina. The fact painfully experienced at first, later opened up a larger and richer path: that of choreographer. Gradually, she modified her stylistic

None of the totalitarian regimes of this century had any particular liking for the modern art trends and made them eventually disappear from the area controlled by them. Too free a manifestation of one's personality meant escaping their power. In Nazi Germany just as

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

Who is this Roman Vlad who composed 'The Seagull'? a well-known director asked me, a great music fan, therefore always present at the concerts and shows of the Enescu Festival. The meaning of this question was suggested by its intonation: Who is this Roman Vlad

It's been a long time since, at the Romanian Opera, I have assisted at a première with an allure of great show as it is now Mihaela Atanasiu's Peer Gynt. An authentic première, not the remake of a show put out of the program for a while, not the resumption, either,

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

We must bear in mind that the history of Romanian theater is full of energies, some of them fabulous. I believe I am a normal man. I also believe that the senses of some of us have atrophied in time. The energy I convey to the audience is called Love. And the audience responds

For the first time ever three American choreographers, Moses Pendleton, David Parsons and Daniel Eszralow will create a novel performance for the Romanian World and Olympic Champions at aerobics. AEROS – a world premiere that will take place in Italy. Physically extremely

Having reached its sixth edition, The International Festival of Choreographic Creation tends to become emblematic of the small sweet town of Iaşi. Somewhat pompously named Eurodans '97, it took place this year in a scenery saturated with pilgrims, guards, strikers,