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I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

I dedicate these lines to the one we, her friends and colleagues, as well as fans, used to call – and still do – Lully. That is, Ileana Iliescu. She belongs to that pleiad of prima ballerinas who built the fame of Romanian ballet, shining from the beginning of the 1960s:

Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then

I will begin by quoting myself. Talking about the polemics between two people whose intelligence and moral stature I admire (the polemics took place, in its major parts, in the very pages of the 22 magazine), I used to say with a certain regret and doubtfulness: On whose

Chapter 3Romania's Psychological and Historical Voids If it were true that the Romanian's spiritual disposition does not surpass the one evinced in the past and that the future is not going to uncover any hidden sides to the Romanian soul, then any attempt to

Chapter IIROMANIANISM AND AUTOCHTHONISMexcerpts Continuing the clash of ideas of the previous decades, the 1930s too witnessed a confrontation on the evolution formula of the Romanian make-up. Two directions were pitted against each other. One favorable to the maintenance

More recent press excerpts WIENER ZEITUNG January 28, 2002 (Rainer Elstner)Rundfunksinfonieorchester Wien/Horia Andreescu…der Celibidache-Schuller Andreescu entfachte wahren Klangzauber…Der temperamentvolle Dirigent war ein perfekter Partner… KOLNER STADTANZEIGER

The works of Hector Berlioz have in good justice been reputed to occasion most spectacular renderings, as the French romantic was a creator of inexhaustible fantasy and multiple resources. The title Symphonie fantastique on a bill could spell either a risk or a professional

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

Of all the great 20th century conductors, Egizio Massini was the only one who distinguished himself equally in three different fields (opera, symphonic music, and fanfare). Even if he made tours abroad conducting all threes types of music, opera was the genre that distinguished