RUA

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

7 January 1839: The Science Academy in Paris announced the arrival of a new art: photography. 39 days later, on 16 February 1839, the historic invention was reported in the Jassy magazine Albina Românească. The first camera – a daguerreotype – known and used in Bucharest

Special attention should be given to Elena Văcărescu, whose outstanding personality and whose life contributed greatly to the revival of the Romanian spirit, inherited from her forerunners. Until not long ago, mention was often made of the four Văcărescu poets and the

What is one supposed to understand by image and to what extent should one take it to heart? Physiologically, the image is the consciousness one is left with about an absent object. It is, therefore, the opposite of perception, i. e. representation of a present object. In

excerptsThe Beginnings With the passage of time the ancient road was called by sundry names: lane, bridge, promenade – as if it needed any name or title, this street of streets whose reign over the city goes back two hundred years. Victory Promenade! The Nation's

I get up one morning and, you know me, I take Gazetta dello Sport, to see how goes Il calcio after the Bosman sentence, which represents such a situation that you can't even begin to understand what will happen to this much cherished game. And lo and behold, what do

About ten years ago I put down my name on a list. I wanted to be received in an audience to ask for some favor and I was told that for this purpose I had to enter my name on a list, leave my telephone number and wait. One day, the telephone rang and a nasal voice informed

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret