Publishing

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of

III. The Culture of Jackasses When an ass leaves his village to go live in the city a wonderful change occurs in him: his asininity leaves the body and sets straight into the soul. In donkey parlance this means the respective jackass becomes cultivated. Thus, an educated

The Romanians from Down Under To my Victoria from the South Pacific IslandsKo te mana o tenei matenga whetu aianeE poturi i ro o te rangi e piki mai* In Aotearoa (New Zealand), I met happy Romanians. Their happiness was either blended with sadness, or boosted up by it.

excerpt It's lunch time. Instinctively, I make for Calea Victoriei, where this hour is set for the fashionable to meet between the Royal Palace and [Elisabeta] Boulevard, as on rue Vivienne during the Restoration. The beautiful shops that border the narrow sidewalks

Chapter IIROMANIANISM AND AUTOCHTHONISMexcerpts Continuing the clash of ideas of the previous decades, the 1930s too witnessed a confrontation on the evolution formula of the Romanian make-up. Two directions were pitted against each other. One favorable to the maintenance

Maiden Speech at the Romanian Academy, Bucharest, 1940excerpts Gentlemen of the Academy,Honorable Audience, I am elected to a newly-established institution, and I wish to preserve the academic tradition of lauding a forerunner, therefore I feel obliged to come forward with

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

Pascal BentoiuPerformed in premiere in Bucharest Undoubtedly, composer Pascal Bentoiu must be regarded at present as one of the most outstanding symphonists of the Romanian musical school of the 20th century. The recent first performance in Bucharest of Symphony No. 7, Volumes,

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,