Publishing

Speaking about I. L. Caragiale, i. e. the quintessential comic playwright in Romanian theater, N. Steinhardt made a few distinctions likely to offer generous openings: However powerful its spiritualism, Asia terrifies us with its uncivil dirt and squalor, while blind and

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

An attentive look upon the history of great literature will reveal a few examples of true love consumed between creators and their inspiring Muses, most often devouring passions that gave birth to unforgettable literary heroes and heroines. Perhaps the most controversial

The bibliography of my works I threw into the pyre included a 125-pages psychoanalytical study about Iulia Hasdeu. I had discovered her diaristic notes at the State Archives. They were then, and still are, a novelty, and perhaps a sensational thing; I'm talking about

excerpts The Diary and Its Readers We should not overdo it with diaries and letters. We usually tend to deem them more revealing of the man than his public work. All that is secretive, familiar draws us as if it were a confession. It is the pleasure of breaking an interdiction,

* Excerpts from an interview with prose writer, political analyst and journalist Stelian TĂNASE (Observator cultural no. 121, 18-24 June 2002) Why did you choose to publish At Home We Speak in Whispers at this particular moment? Books come and go in a writer's imagination.

Preface In April 1990, I handed over the volume The Silent Escape to the Secretariat of the French publishing house La Découverte in Paris. On September the 1st, the same year, the book was in the bookshops. It's my first book and I don't consider it literature.

Titu Maiorescu's diary is an unprecedented publishing event and, in its own way, unique in Romanian literature, by both the nature and value of the notes and by the length in time it covers – 62 years – and by the age of the author who had barely turned 15 when