Program

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

The museum is the beneficiary of the patrimony, programme, theme and structure of the Asociaţiunea (Association) Museum. The latter was the first museum of the Romanians in Transylvania, opened in 1905, then closed in 1950 out of political reasons. Inaugurated in 1993,

The English-speaking people do not have a perfect equivalent for the French joie de vivre. The latter conveys the accord between body and soul, the excitement at the prospects of the future (advienne que pourra), the feeling of well-being (se sentir bien dans sa peau).

None of the great men of 1848 – a Romanian scholar noticed once – had a particular understanding of music. The boyar sons from a hundred years ago assimilated everything regarding the arts that they encountered abroad, but not music. Not even today, perhaps, do we have

excerpt  These lines will introduce us into the international career of the great violin virtuoso. At the height of his career, Grigoraş Dinicu carried across the world the fame of Romanian fiddlers and of the rich Romanian folk song. After the creation of the Bucharest

excerpt In the town square, behind Gustav Café, there is the variety entertainment ale-house with the strange name Bucharest Hotel (it has room only for women-artists), Mr. Cocoşel's winter public house. Ancient house, rather long and low, the hotel twinkles its

In White Moor by Ion Creangă, the Rabelais-tinged philosophy of Gaster (the Belly), (Mikhail Bakhtin) represents one of the tests the main character has to pass in order to marry the daughter of the Red Emperor. As in any fairy-tale, be it in its cultivated variant, nothing

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled