Port

Several TV channels have been offering lately, especially on the lazier weekend days, shows about houses. They're filmed at more than sluggish speeds, with repeated shots and, usually, presented by voices that just can't contain their admiration for the ideas of

Photo: Mihai Duţescu I'm reading an article written by Roberto Segre about the architecture intended for the working class, an architecture that has changed the landscape of the towns only in the twentieth century. Until then, poverty did not have such a great influence

Red bricks are the distinctive feature of this construction, next to the white rosette, a huge round window above the main portal: thereby, the reader has most certainly recognized the Archbishopric of Saint Joseph's Cathedral. It is one of the landmark buildings in

from left: Antiques store on Covaci St. ; National Bank on Lipscani St. ; Victoria department store; Dimbovitza river. The navel of the city: one couldn’t find a better name. There was once an umbilical cord. Through it, Bucur’s shepherds village used to receive, no

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

from left: Old Court ruins, Manuc's Inn, Lime-Tree Inn galleries, passageway on Lipscani St. The other day I was wandering through the Historical Center of Bucharest, the capital city, that is, the place from where the sun rises for all of us Romanians. The name –

New police station on L. Catargiu St. and Architects' Order on A. Verona St. An interview by Eugen Istodor with Şerban Sturdza, Chairman of the Order of Architects Lesson: how we can bend the lawReporter: I would like to start from a very concrete thing: we are at

excerpt Beyond this second row of buildings, the town sprawled out to the horizon, covering half the window with an increasingly minced, confusing, indistinct, random mixture of the vegetal and architectural, with poplars’ spears soaring up here and there, and strange

As I was translating with much esteem Mr. Vintila Mihailescu's text entitled Neo-Western-Supremacism, it suddenly dawned on me: the inyourpocket presentation he discusses, one fascinated with primitive Romania, shows an attitude somewhat similar to that of Englishman

Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the

Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with

Revolution Square Last time when Bucharest was flooded, when in some districts the water rose as high as half of the Dacia car parked on the sidewalk, none of the Romanian reporters or newscasters failed to draw a comparison between our capital and a “European” one.