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In the two decades between the world wars the majority of Romanian intellectuals were engaged in a grand debate about what it meant to be Romanian and how national character determined social and political development. [1] The ideological commitments of the protagonists

1. The Virgin Mary with the Child, Orthodox icon, 17th century 2. Constantin Brancovan and his family 3. Ştefan Luchian (1868-1916), The Washing (see also Gallery) Romanian painters met the Child long before local art itself was born, in the modern sense of the word (the

Early Sunday afternoon, lying in bed with a large illustrated book of Ion Creangă stories, Memories of Childhood Days: the time stood still, waiting for me to turn over the pages, and I had all the time in the world. My father was sitting next to me reading too, but I was

The First of May,The First of May,The whole town's marching on this day –Little red flags everywhereWaving brightly through the air. Girls and boys,In convoys,Through the streets sing of their joys. Wheat field, wheat field, within hours,You are going to unfoldThrough

Writing an oral history of a ten-year-old child may seem like a perfectly absurd enterprise any day of the week. The social experience of an individual of ten would not recommend an approach of this kind. With such a person it cannot be a matter of immediate memory. Hence

I was never a child, I never had childhood… warm, golden days of puerile frenzy, the long-lasting serenity of innocence, the surprise given by the daily discovery of the universe, what do all these mean to me? I know nothing of them, or I no longer remember anything. I

excerpt  THE IRON PALM TREE In front of the Burebista eating inn stops one of those tiny automobiles that no one notices, a frog Skoda or a small Fiat, one doesn't know exactly what model, because the respective car raised a huge amount of dust that the Dobrogea

excerpts CHAPTER I How had the members of the Cherry Blossom Club gotten to the town of D. ? That was not a difficult one to answer. First, the little town was not very far from its twin, where the members of the Cherry Blossom Club lived. Then, as it often happens, one

excerpts A Streetcar Named Popescu is a community theater show. The script by stage director Gavriil PINTE (b. 1961) is based on works by Cristian POPESCU (1959-1995). The show begins at a streetcar stop with the audience getting on the streetcar. Then the streetcar joins

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae

The first traces of puppets were revealed by the archeological diggings of Cucuteni, Jassy county (and later in other areas). Sites from the Neolithic (6. 000-3. 000 B. C. ) have been examined and numerous figures made of bone or clay, which were probably used for religious

The echo of the rich activity of Romanian theater for children on four continents has surpassed even that of theater for adults. This was possible because, in 1965, eleven countries, including Romania, founded in Paris, ASSITEJ – the International Association of Theater