Nicolae Iorga And Music
It comes as no surprise that a genuinely encyclopedic spirit of Nicolae Iorga's caliber, conversant with history, literature, religion, church, army, commerce, education, trades, guilds, arts, etc. , etc. , should be passionate about music. His existence was markedly
Nicolae Iorga
When at only 19, Nicolae Iorga (1871-1940) defended his university degree examinations one of his examining professors characterized him as a true phenomenon both in point of memory and power of ratiocination. Then Iorga worked hard in Paris and in Germany, obtaining a
The Cultural And Intellectual Life Of Bucharest
As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They
Our Defense Abroad
Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently
Where Do We Stand?
'Where do we stand with the Bulgarians?' I ask my friend, X…'Neither here, nor there. ''What do you mean?…''What, don't you see?''I don't actually… for, as you said: neither here, nor there means we don't
Report
About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in
A Speech
It's all set! On Saturday I am to deliver a speech in the plenary meeting of the SPDRM. There's no way out: I did, in a moment of utter weakness, promise an old friend of mine, Mrs. Parigoridi – so it is now for me a matter of conscience, of honour, of heart
The Beoble!
Our century witnessed the birth and death of a most interesting state, a state that no conscientious historian is allowed to overlook. I mean the Republic of Ploieşti, a state that, in spite of its only fifteen hours of life, has undoubtedly written a most famous page in
The Woman Painter Of Modern Life
Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally
Battlesheep
Mioriţa, the most popular Romanian ballad, has its name coming from a rather ambiguous female character, the meek ewe that discloses the plot to her fair master, whose two fellow shepherds plan to kill by the time of sunset, looting his larger and worthy flock. Mioriţa
Vitoria Lipan
from The Hatchet I It is the mountain peasant's lot to earn his daily bread either with the axe or with the sheep hook. Those of them that work with the axe fell firs from the forest and take them to the Bistriţa; there they bind them together into rafts and float
Mrs. T
From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina