Pita

Chapter XVII. On the Moldavians' Habits (excerpts) While we are trying to describe the Moldavians' habits, about which no-one, or just few foreigners hold a true image, the love we feel for our country on the one hand prompts us to praise the people among which

Foreword The few words that I put as motto at the beginning of this book can be translated like this: God must have had a hidden plan for this people that the western states rediscovered on the banks of the Danube and adopted like Pharaoh's daughter adopted Moses.

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

Born: October 18, 1946 in Brasov, Romania Studies: MusicHigh School in Brasov; Academy of Music, Bucharest (Professor Constantin Bugeanu – conducting, Professor Stefan Niculescu – composition); Academy of Music, Vienna (Professors: Hans Swarowsky and Karl Oesterreicher;Mastership

There is a hidden passion in revealing the Romanian first absolute auditions that characterize conductor Horia Andreescu, the artisan of some essential scores of autochthonous contemporary symphonism. Besides the unknown Symphony No. 5 by George Enescu, discovered, re-orchestrated

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

As early as my years of instruction, while at The Academy of Music in Bucharest – as part of the group of the grand and incomparable professional singer and mentor Constantin Stroescu (Enrico Caruso's partner in Boston, 1915, in Leoncavallo's Pagliacci) – destiny

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any

After almost a century of symphonic music in Romania (as early as in 1846-1848, the first symphonic concerts changed the artistic life of Bucharest), after three quarters of a century since the establishment of the first philharmonic in Bucharest (1868), a magician appeared

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor